Review: JOHN PROCTOR IS THE VILLAIN, Royal Court
Photo credit: Camilla Greenwell
John Proctor is the Villain, written by Kimberly Belflower, revolves around a group of high school children in rural Georgia. Through their study of The Crucible, alongside the creation of a feminism club, poignant social themes of religion, gender, race, and truth are uncovered. Danya Taymor brings Belflower’s compelling text to life, and this talented ensemble cast lends gravity to these important issues that affect not only young people but all of society.
All technical elements of the show are flawlessly executed. The lighting (designed by Natasha Katz) is impressive. A large window provides a wash of naturalistic light, while the harsh white strip lighting not only situates us firmly within the setting but also creates an intense atmosphere that reflects the challenging and resonant social themes explored.
The equally superb set (AMP, featuring Teresa Williams) transports the audience back to school, complete with bright posters, student work displayed, and a large chalkboard. There is real attention to detail, from a coat cupboard for Mr Smith’s jacket to the fully realised hallway just outside the classroom door. Under Taymor’s direction, the school tables and chairs are incorporated brilliantly into the action, helping to create dynamic and captivating scenes.
The dynamic between the female friendship group is endearing, and authentically reflects the struggles of growing up. The cast beautifully captures platonic female love, whilst Taymor’s direction creates moments that are both hard hitting and visually engaging.
Sadie Soverall gives Shelby Holcomb a haunted quality that is equally tragic and captivating, and the response of the rest of the girls to her struggles provides an insightful exploration of the nature, and acceptability, of truth. Mason (Reece Braddock) is charming, and serves as an important reminder that social progress is not always about getting it right, but about engaging in important conversations to educate and better yourself.
Although important social themes are explored, the cast bring a lightness and joy to their characters that beautifully encapsulates the messy, imperfect experience of being human.
John Proctor is the Villain is a moving, heartfelt, and hilarious piece of theatre that spills over the boundaries of make believe and into the complex real life of what it means to be human.
***** Five stars
Reviewed by: Anna Nichols
John Proctor is the Villain plays at Royal Court Theatre until 25 April, with further info here.
