Cynthia Erivo returns to stage in West End premiere of Sydney Theatre Company's DRACULA
It has been announced that Sydney Theatre Company’s acclaimed production of DRACULA, adapted and directed by visionary theatre-maker Kip Williams, will premiere at London’s prestigious Noël Coward Theatre from 4 February 2026.
Celebrated Tony®, Grammy® and Emmy® Award-winner and three-time Oscar nominee Cynthia Erivo will return to the stage for the first time in nearly a decade for the production, starring in this bold, one-actor reimagining of Bram Stoker’s classic gothic novel.
Following the global release of Wicked: For Good this November — one of the most eagerly anticipated cinematic events of the decade — Erivo’s next move will be into rehearsals for DRACULA. Her return to the stage marks a landmark moment in contemporary theatre: a rare opportunity for West End audiences to witness one of the world’s most extraordinary talents at the height of her powers, in a daring and intimate performance unlike anything she has undertaken before.
In this radical interpretation, Erivo will embody all twenty-three characters in Stoker’s iconic tale — from the naïve solicitor Jonathan Harker and his fiancée Mina Murray to confidante Lucy Westenra, her suitors, and the formidable vampire hunter Van Helsing — as well as the infamous Count Dracula themself.
DRACULA represents the final and most ambitious production in Tony Award® nominated director Kip Williams’ gothic trilogy, whose productions have redefined the canon on both Broadway and the West End. The production follows on from his genre-defining adaptations of the 6-time Tony Award® nominated The Picture of Dorian Gray (which enjoyed triumphant seasons in both the West End and on Broadway) and the award-winning Strange Case of Dr Jekyll and Mr Hyde.
In his adaptation, Williams delves into the enduring metaphorical power of DRACULA, crafting a bold retelling that reorients the narrative around a psychological battle between fear and desire. Through a transformative solo performance, the production blurs the boundaries between self and other, suggesting that the monster is perhaps not external, but something that stirs within. First staged by Sydney Theatre Company in 2024, DRACULA captivated audiences with its startingly original reimagining of Stoker’s iconic vampire tale, offering a haunting meditation on the aspects of ourselves we fear, desire, and deny.
The production reunites Williams with his award-winning creative team, including Olivier Award-winning designer Marg Horwell, lighting designer Nick Schlieper, and composer Clemence Williams, and is joined by sound designer Jessica Dunn, video designer Craig Wilkinson and dramaturg Zahra Newman. Fusing live video, pre-recorded film, and virtuosic live performance, DRACULA continues Williams’ ground-breaking exploration of 'cine-theatre', a hybrid form reshaping the theatrical landscape.
Cynthia Erivo said: “Returning to the stage feels like a homecoming, one that I’ve been craving for a long time. To do so with a story as rich, complex, and haunting as DRACULA offers a beautiful opportunity to delve into character, into myth, and into the heart of what makes us human. From the moment I was asked, I could not get the role out of my mind. Kip’s vision is thrilling, terrifying, and deeply resonant, offering a chance to sit with not only the darkness in the world, but also the light we fight to hold onto. It’s a rare gift for an actor to inhabit so many voices and perspectives in one piece, and I’m honoured to do it for West End audiences in this extraordinary production. The prospect of doing this show scares me and I know it will be a huge challenge. This show will ask everything of me — and I’m ready to give it.”
Director and Adapter, Kip Williams, said: "I am thrilled to be returning to the West End to direct my adaptation of Bram Stoker’s DRACULA and to collaborate with the extraordinary Cynthia Erivo, as she brings to life the many iconic characters of this much-adored tale. Our production expands upon Stoker’s exploration of the tension between fear and desire, offering a contemporary perspective on the vampire as a monster that lurks not beyond, but within. I am excited to reunite with many of my Dorian Gray collaborators on this project, and it is an immense privilege to have such a singularly gifted artist as Cynthia at the heart of it. I can’t wait to share this piece with London audiences, especially in the West End, a place where Bram spent so much of his creative life."
Tickets for DRACULA will go on sale later in the year, with further info here.
