Review: THE THISTLE AND THE ROSE, York International Shakespeare Festival
The Thistle and the Rose by Linda Gates follows the relationship between Mary, Queen of Scots and Elizabeth I over 27 years. The correspondence between Mary and Elizabeth is framed by a narrative of two female tourists visiting their tombs in Westminster Abbey, and although nearly 500 years apart, the connection between both sets of characters highlights the camaraderie of women across history. Told through their original words - letters translated from French - the play explores topics of marriage, love, family, and the role of women in Elizabethan society. This production is entertaining and insightful, demystifying this infamous historical relationship.
The set is simple: two wooden chairs and black stools positioned stage left and stage right, with images of Mary and Elizabeth’s tombs projected onto the back wall. Although minimal, it is used effectively to facilitate moments of connection, not only between the performers but also with the audience. The lighting (designed by George W. Tiller III) is equally understated, further enhancing the close, intimate atmosphere of the performance. The costumes evoke Elizabethan finery, with both actors wearing long black dresses accessorised with headbands and jewellery.
The pared back nature of the technical elements allows the performers to (literally!) take centre stage. Elizabeth (Linda Gates) is a character of great status, not only because she is Queen of England but also because she appears endlessly knowledgeable and self assured. The familial relationship between her and Mary (Andrea Mitchell) is often one of advice and support, and Gates’ air of wisdom convincingly conveys this dynamic.
Mitchell stands out in this performance, delivering both humorous musings about her long list of husbands and suitors, whilst also making the audience sympathise for her limited power in society - not only as a woman, but one living in exile. Where Gates’ performance is - at times - slightly static, Mitchell’s movement is dynamic, although occasionally repetitive. Both actors give entertaining and engaging performances.
The Thistle and the Rose is a fascinating insight into the lives of these two iconic women - touching, engaging and often comedic.
*** Three stars
Reviewed by: Anna Nichols
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Photo credit: Mike Darley