Review: THE LAST PICTURE, York Theatre Royal
Photo credit: SR Taylor Photography
The Last Picture follows an emotional support dog called Sam (Robin Simpson) as he describes a series of different pictures. The audience is addressed as a group of Year 9 children going to see an Auschwitz exhibition, and are encouraged to join in on the world building. John R. Wilkinson’s direction sensitively and respectfully portrays the themes of the play, and Simpson’s commanding presence as Sam encourages moments of reflection from the audience.
The set (designed by Natasha Jenkins) consists of five black school chairs and a brown fabric screen which, although simple, is striking. Benny Goodman’s lighting is cleverly used to enhance the set, with simple LED strip lights transforming the space from a forest, to a beach, to a haunting site of tragedy. The performance space feels intimate, with Simpson not only stepping out of the stage space demarcated by these lights, but also joining the audience; taking a seat with us and encouraging reflection on the harrowing themes being discussed.
Sound (designed by Max Pappenheim) further aids the metamorphosis of the space, immersing the audience in each of the pictures being described. Particular attention is paid to historical accuracy, with Sam describing the music associated with Nazi Germany at the same time it underscores the scene.
Robin Simpson is truly superb as Sam. He flawlessly uses long moments of silence and stillness, holding the audience in rapture despite the absence of action on stage. His commanding presence delivers the gravity of the story, whilst his engaging facial expressions and captivating physicality endear the audience to him as Sam the dog.
Whilst his characterisation is immaculate, so too is his awareness of the audience, with whom he builds a connection from his first interaction. He masterfully guides them through the tumultuous emotional journey of the source material. Simpson’s portrayal of Sam is thought provoking, encouraging the audience to reflect not only on the events of history, but also on the lessons we can learn from them when reframed in a contemporary context.
The Last Picture is a powerful amalgamation of humour, tragedy, history, and human emotion, and this production expertly encourages reflection on poignant social issues of both past and present.
***** Five stars
Reviewed by: Anna Nichols
The Last Picture plays at York Theatre Royal until14 February, with further info here.