Review: THE BRIGHTENING AIR, Old Vic Theatre

Photo credit: Manuel Harlan

The Brightening Air is the world premiere of a new play, written and directed by acclaimed Irish playwright Conor McPherson. Set in 1980s Ireland, it unfolds within a rural household run by siblings, Stephen and Billie. What begins as a quiet domestic setting quickly turns into a simmering pot of family tension, as estranged relatives and unexpected guests arrive, disrupting the fragile peace and exposing secrets.

The play draws deeply from Ireland’s cultural and mythological roots. With a predominantly Irish cast and a script interwoven with folklore, the production creates a world that feels both grounded and otherworldly. Central to this mystical atmosphere is a theme of enchanted waters, notably, a woman’s desperate plea for magical water to win back her estranged husband. These references to Irish mythology, such as the ‘Sidhe’ (supernatural beings appeased by offerings of food and drink), add symbolic weight. The opening scene, featuring preparations for a late-night feast, may serve as more than just a domestic moment, it could foreshadow the ritualistic effort to restore harmony in a household threatened by emotional and spiritual chaos.

At first, the play is slow to find its rhythm, but once it gains momentum, it becomes increasingly engaging. McPherson’s writing takes on a Chekhovian flavour, and is rich in nuance, layered with subtext, and full of quiet revelations. These elements, combined with the folkloric undercurrents, create a uniquely textured experience. However, while the narrative structure is strong, the emotional arc of the characters can sometimes feel muted. The ensemble approach means no single character dominates, and emotional vulnerability is often left unspoken. This may be a deliberate choice: by withholding overt emotion, McPherson allows the audience to focus on the mythic and symbolic layers, rather than being swept up in any one character’s personal story.

The performances are solid across the board, and the predominantly Irish cast brings a natural authenticity. Rosie Sheehy stands out as a commanding presence, who is brash, unapologetic, and often delivers moments of comic relief. Chris O’Dowd is quietly masterful, his restrained performance full of subtlety and impact. Still, there is an unmet desire for emotional depth and intimacy at times.

Despite its more serious tone, the play is punctuated by moments of humour that cleverly lighten the mood. Comedy is not just as a distraction, but a meaningful release of tension, allowing the audience to breathe in the midst of rising drama. Some of the family disputes are delivered with a surprising lightness that enhances their relatability.

Adding a final layer of immersion, the experience doesn’t end when the curtain falls. In the foyer after the performance, live musicians play and sing well-known Irish folk songs, extending the atmosphere beyond the stage. It’s a thoughtful and transportive touch that deepens the connection to Irish culture and creates a communal sense of warmth and nostalgia.

The Brightening Air is a constantly shifting, gripping piece of theatre, marked by strong performances, rich cultural texture, and a quiet, mystical power. It is a compelling blend of myth and reality, comedy and tension, modern life and ancient echoes. While it may leave some emotional threads unexplored, it rewards viewers who are willing to look beneath the surface and engage with its deeper themes.

**** Four stars

Reviewed by: Alexandra Tullah

The Brightening Air plays at The Old Vic until 14 June, with further info here.