Review: THE AUTHENTICATOR, National Theatre
Photo credit: Marc Brenner
A clever, atmospheric mystery where nothing is quite what it originally seems.
The National Theatre showcases Winsome Pinnock’s new play, The Authenticator, directed by Miranda Cromwell. This is a rather eerie psychological thriller set in a stately home that has many hidden secrets. When eccentric artist Fenella Harford inherits the house, she uncovers a hidden collection of diaries and recruits academic Marva and her mentor Abi to help her unravel a rather interesting past.
The staging in the Dorfman feels carefully constructed, with striking staging, as there is seating on the stage and audience members surrounding the action. This immediacy brings you into Harford Hall as well, and its uneasy atmosphere.
Jon Bausor’s set design is a standout. Rather than manual stage transitions by the crew, the set shifts in seamless, almost magical ways, with furniture rising from the floor, things disappearing into the ceiling, and even the fireplace yields unexpected surprises. The ceiling adjusts its height to imply different rooms, subtly and effectively reshaping the space. This is very clever, fluid, and impressive to watch.
The production is full of many thoughtful elements. The lighting by Aideen Malone is great at sustaining the mood, and holding a persistent sense of unease. The sound and music create a strong atmospheric feel that carries the tension throughout. There are also some striking symbolic elements, like the central painting, which is revealed simply as an empty frame. This smart choice leaves the audience to imagine their own meaning instead.
The Authenticator balances seriousness with humour very well. The comedy never feels forced and instead emerges naturally. Even the unfolding revelations are portrayed subtly, and are clever, occasionally funny, and always engaging.
At the heart of the play are three strong performances: Rakie Ayola (Abi), Cherrelle Skeete (Marva), and Sylvestra Le Touzel (Fenella). All three bring so much character, depth and nuance, but Le Touzel’s Fenella is the clear standout. She is ever so likeable, sharply funny, and convincingly displays different emotional shifts. She feels like someone that everyone knows someone like, which makes her more compelling.
The plot itself is original and gripping, keeping you on edge and eager. The audience are kept guessing, with revelations revealed at the right time to maintain intrigue. The only slight drawback is that The Authenticator occasionally holds back when it could push further. For a story built on secrets and dark revelations, there could have been more force and higher stakes and more dramatic reveals.
Still, The Authenticator is a clever, atmospheric, and humorous production. With inventive staging, strong performances, and an engaging plot, it’s a compelling addition to the National Theatre’s current season.
**** Four stars
Reviewed by: Alexandra Tullah
The Authenticator plays at London’s National Theatre until 9 May, with further info here.
