Review: DAISY DORIS MAY: BIG NIGHT OUT, SOHO Theatre
Katinka Bester
Daisy Doris May brings Big Night Out to Soho Theatre for what is billed as its final run, before she heads off to her next big gig, becoming a mum. Hitting the stage this week in her third trimester, the “fashion pouch” (as Häns Off would say) becomes something of a special guest star. A performer very much in her element, with a strong online following and fans already in the room, the energy is primed as soon as you arrive. What a send-off!
Essentially, this Big Night Out is a character-led cabaret that, both conceptually and in its construction, well done and suits Soho’s downstairs space perfectly. This particular night, while in the line for the most prestigious club around as the premis, we are in the company of three of her most well-loved creations: Häns Off a German club icon with a love of PVC and faaashion; Karen Moonstone a self-appointed spiritual guru operating entirely on her own frequency; and Steve Porters a Surrey lad, self-proclaimed feminist and hopeful romantic on his best mates stag do.
Some moments slightly overstay their welcome, but overall, the audience are taken on a journey from club queue to full-blown party and the structure allows for that sense of build.
Steve Porters is a standout. A caricature, yes, but one with real heart. A lad we all recognise, and perhaps, against our better judgement, quite like. Häns Off feels like someone you might genuinely encounter on a Berlin night out; absurd, specific, and sharply observed. Then there is The Divine Karen Moonstone, a mystic presence less immediately likeable, perhaps, but knowingly so, and all the more effective for it.
There are more characters in Daisy Doris May’s canon, but these three clearly strike the right note for a crowd already in the know. For those coming in fresher, it’s a slightly different experience, one that requires a willingness to lean in and, quite possibly, get involved. Be prepared: this is a show that thrives on audience interaction, and she works hard for it.
What makes Daisy Doris May particularly engaging is the amount of love injected into the work. There is affection in the characters, even at their most ridiculous, and a warmth that extends into the audience. It feels oddly wholesome in the most bizarre way. A modern cabaret artist crossing between theatre, drag, and digital culture with ease. Not to mention impressive dance moves.
If you’re already a fan, this is a treat to be in the room with characters you’ve likely followed. If you’re new, it’s an intriguing introduction to her world. Either way, if you can get tickets this week, it’s well worth a Big Night Out with Daisy Doris May.
**** Four Stars
Reviewed by Stephanie Osztreicher
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