Review: CHITTY CHITTY BANG BANG, King’s Theatre
Photo credit: King’s Theatre
If you thought you’d seen the best of the fine four-fendered friend, think again. While the King’s Theatre’s previous outing with this production was a delight, this latest revival has somehow managed to shift into an even higher gear. Under the visionary guidance of Director Jack Edwards, Choreographer Jacqueline Willis, and Musical Director Andrew Woodford, this production doesn't just meet expectations—it soars right over them.
The cast is anchored by Paul Clements, returning as the eccentric yet lovable Caractacus Potts. Clements remains a consummate leading man, bringing equal parts heart and whimsy to the role. Beside him, Stephanie Aves is a revelation as Truly Scrumptious, delivering vocal excellence that feels both nostalgic and fresh. We’re sure both Dick Van Dyke and Sally Anne Howes would be proud!
The supporting cast provides the comedic and character-driven backbone of the show. Peter Colley (Grandpa Potts) is a certified audience favourite, capturing the mischievous spirit of the Potts patriarch. John Bettesworth & Andee Jordan (The Baron and Baroness) delivered a rendition of ‘Chu-Chi Face’ that is simply a masterclass in comic timing and chemistry. Curtis McLennan & Ben Irish (Boris & Goran): as the Vulgarian duo provide non-stop laughs with their hilariously frantic ‘Act English’. Matt Gibbins (The Child Catcher) gives Robert Helpmann a run for his money, utilising creepy mannerisms and a high-pitched call for "Children" that sends genuine shivers through the theatre. A special nod must go to Shaun Williamson (Lord Scrumptious & The Toymaker) as a dedicated patron of the recently formed Portsmouth Theatres.
The ensemble—both the high-energy adults and the talented rotating children’s teams—are incredibly slick, executing Willis’ choreography with infectious precision. All of this is bolstered by a superb live orchestra that breathes life into the iconic Sherman Brothers score.
Of course, no review is complete without mentioning the titular car. Chitty is a marvel of stage engineering; it floats, it flies, and it captures the imagination of every person in the building. Watching it take to the skies, one can’t help but wish it were available to bypass the post-Pompey match traffic outside!
Having seen the original production at the London Palladium, we can say with full confidence that this version at the King’s is second to none. It is a polished, heart-warming, and technically impressive feat that Portsmouth should be incredibly proud of.
***** Five stars
Reviewed by: Ryan Bishop
Chitty Chitty Bang Bang plays at the King’s Theatre until 19 April, with further info here.