Mark Rylance to star in world premiere of TARTUFFE (REMIXED) at Marylebone Theatre
Photo credit: Richard Taylor
The world premiere of a brand-new production of Molière’s comedy classic, Tartuffe, starring Mark Rylance in the titular role, has been announced today.
Written and directed by Darren Raymond, Tartuffe (Remixed), a deliciously biting comedy which brings both new humour and modern pathos to the original text, is relocated to an African-Caribbean household.
The strictly limited run this Autumn celebrates Rylance’s return to Marylebone Theatre following his 2024 sell-out performance of Venus and Adonis. In a unique creative union, the acclaimed actor will share the stage with Intermission Ensemble, the graduates of Intermission Youth, the award-winning drama charity for which Rylance has long served as a trustee and advocate. This production offers a rare opportunity to see a master of the craft performing alongside the very talent his advocacy has helped champion. Full cast and creative team to be announced soon.
Writer and director Darren Raymond said: ”The production is a massive nod to the next generation. Mark will be starring alongside some of Intermission Youth’s alumni. This isn't just a performance; it’s a tangible bridge between a stalwart of the stage and the young talent he has spent years mentoring. I am thrilled to see our company's signature style come to life, where original verse meets the raw, rhythmic tapestry of cultural sounds that define our modern society.”
Mark Rylance said: “Since 2009, I’ve adored Darren Raymond’s productions of Shakespeare, created for his Intermission Youth theatre company. So, I’m very excited to work with him directing Intermission Ensemble, a professional company, remixing Moliere’s satirical masterpiece.
“Darren’s genius for language and humour guarantees this will be a Tartuffe like no other. Our early rehearsals have been hilarious. The mix of a corrupt English missionary in a contemporary African Caribbean family culture is bringing out the authentic cadence and revolutionary meaning of this classic play.”